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Biography
Stephen Gayford is among the foremost wildlife artists in the
UK and his art is appreciated by many international collectors.
As a professional artist Stephen paints from a depth of
knowledge and passion and each work is inspired and informed
by countless hours of personal observation and research.
By combining intricate detail, dramatic lighting, and anatomical
accuracy, he has become widely known for his "up close and
personal" compositions. The incredible wildlife and habitat from
Africa, India and The United States has been Stephen’s passion
and inspiration for the past three decades. He says, “The excitement lies in passing on
the experiences I have witnessed on Safari onto the viewers and collectors of my
paintings.
He travels frequently to research his subjects in their natural
habitat believing there is no substitute for personal experience in
the field. More often, he'd rather be on safari in the thick of the
experience than indoors painting it.
He says, “Painting, for me, has never been a hobby, it’s not a
relaxing experience - I feel compelled, even driven to paint - I
have heard professional writers and sportsmen say the same.”
“Since I was twelve I have always painted. It is a passion - a
labour of love. I dislike front light, (i.e. the sun behind the
observer), I prefer back light or side light,
or diffused light as on a cloudy or dusty
day. I love dust and mist because it
portrays the volume of air between the objects’’
‘’I start with little sketches in pencil on an A5 sized pad. I may
do one, two or twelve until I get the right composition. When
painting I have a large mirror behind me and I sometimes view
the painting in reverse. If something in the painting does not
feel right to me, it becomes obvious in the reflection and I can
then easily correct it’’.
‘’People often ask how long it takes me to do a painting. The answer is, I don’t really
know. I work on between two and ten at once. I like paintings when I first start them
as they have a simplicity, and the more I work on them, sometimes the further away
from the original inspiration they can become, so I start another one. By the time I
have started the third or fourth one I can return to the first and work on it with a new
inspiration. One painting has taken me about three years so far, and it’s not finished
yet’’!
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